"WHY STUDIO PRODUCTION IS INTERESTING" (ISMIR 2016): BIBLIOGRAPHY

This tutorial is on Sony CSL's YouTube channel: https://www.youtube.com/channel/UCB00CfzP5YHpgJbMB_exm9A

 

PART 1
Author(s) Title Ref. type Editor Date Link / page(s)
Robert E. Runstein Modern Recording Techniques, ed. 8 Book Taylor & Francis 2013
William Moylan Understanding and Crafting the Mix, the Art of Recording Book Focal Press 2007
Greg Milner Perfecting Sound Forever, an Aural History of Recorded Music Book Faber&Faber 2010
Richard Buskin Classic tracks: The Cure 'A Forest' (1980) Press article Sound on Sound December 2004
Philippe Gonin The Cure, Pornography Book Discogonie 2014
Youngmoo E. Kim, Donald S. Williamson, Sridhar Pilli Towards Quantifying the 'Album Effect' in Artist Identification Conference article ISMIR 2006
Phil Brown Tech Talk, interview by Cliff Jones Press article Melody Maker 1991
Jeff Apter Never Enough: The Story of The Cure Book Omnibus Press 2005-2009
Andrew Unterberger The 101 best Kanye West-produced songs that don't feature Kanye West Internet link Spin.com 2015 http://www.spin.com/2015/03/101-best-kanye-west-produced-songs-that-dont-feature-kanye/
Wikipedia Listen (David Guetta album) Internet link Wikipedia Retrieved 2016 https://en.wikipedia.org/wiki/Listen_(David_Guetta_album)#Track_listing
N/A Audio Frequency Chart. Internet link SAE/Sound on Sound 2012 https://markjthomas.wordpress.com/2012/03/30/audio-frequency-chart/
Mike Senior Mixing Secrets for the small studio Book Focal Press 2011-2013
Jeff MacKenzie Why Lectern Microphones Are The Best Choice For, Well... Lecterns Internet link Jands Technical Resource Group Retrieved 2016 http://www.jands.com.au/support/product-support/audio-technical-materials/geek-files/lectern-microphones
Butch Vig Recording Nirvana: Smells Like Teen Spirit Internet link MixMyMusic.net YouTube channel 2008 https://www.youtube.com/watch?v=ErcJ2kUC4Wg
Serge Lacasse Listen to my voice PhD Thesis University of Liverpool 2000
Richard Middleton Workin(g) Practice: Configurations of the Popular Music Intertext.The Musical Work: Reality or Invention? Book Ed. Michael Talbot. Liverpool University Press. 2000 pp. 59-87
Chris DeVille Q&A: Alt-J On Making This Is All Yours, Sampling Miley Cyrus, And Soldiering On As A Three-Piece Internet link Stereogum 2014 http://www.stereogum.com/1704017/qa-alt-j-on-making-this-is-all-yours-sampling-miley-cyrus-and-soldiering-on-as-a-three-piece/franchises/interview/
Arthur Flexer A Closer Look On Artist Filters For Musical Genre Classification Conference article ISMIR 2007
Enrique Perez Gonzalez, Joshua D. Reiss Automatic mixing tools for audio and music production Internet link Queen Mary University of London Retrieved 2016 http://c4dm.eecs.qmul.ac.uk/automaticmixing/
 
PART 2
Author(s) Title Ref. type Editor Date Link / page(s)
Suhas Sreedhar The Future of Music Report IEEE Spectrum August 2007
Robert Levine The death of high fidelity Press article Rolling Stone December 2007
Esben Skovenborg, Thomas Lund Loudness descriptors to characterize programs and music tracks Conference article AES 125th Convention, San Francisco, CA 2008
Kathryn Masterson Loudness war stirs quiet revolution by audio engineers Press article Chicago Tribune January 2008
Sean Michaels Death magnetic 'loudness war' rages on Press article The Guardian October 2008
Ethan Smith Even heavy-metal fans complain that today's music is too loud!!! Press article The Wall Street Journal September 2008
Earl Vickers The loudness war: Background, speculation and recommendations Conference article AES 129th Convention, San Francisco CA. 2010
Emmanuel Deruty 'Dynamic range' and the loudness war Press article Sound on Sound September 2011
EBU/UER EBU-TECH3342 Loudness Range: A descriptor to supplement loudness normalisation in accordance with EBU R128, Standard EBU/UER 2011
Damien Tardieu et Al. Production Effect: Audio Features For Recording Technique Description and Decade Prediction Conference article DAFX 2011
Joan Serrà et al. Measuring the evolution of contemporary western popular music Report Scientific Reports July 2012
N. B. H. Croghan, K. H. Arehart, and J. M. Kates Quality and loudness judgments for music subjected to compression limiting Journal article Journal of the Acoustical Society of America 2012 vol. 132, no. 2, pp.1177–1188, August 2012.
Esben Skovenborg Loudness range (LRA) – design and evaluation Conference article AES 132nd Convention, Budapest, Hungary 2012
Emmanuel Deruty, Damien Tardieu About Dynamic Processing in Mainstream Musi Journal article Journal of the Audio Engineering Society January 2014
Jens Hjortkjaer, Mads Walther-Hansen Perceptual Effects of Dynamic Range Compression in Popular Music Recordings Journal article Journal of the Audio Engineering Society January 2014
Hugh Robjohns The end of the loudness war? Press article Sound on Sound February 2014
Emmanuel Deruty, François Pachet The MIR perspective on the evolution of dynamics in mainstream music Conference article ISMIR 2015
 
PART 3
Author(s) Title Ref. type Editor Date Link / page(s)
Billboard.com Greatest of all times - Billboard 200 Albums Internet link Billboard.com Retrieved 2016 http://www.billboard.com/charts/greatest-billboard-200-albums
N/A Mockingbird - Eminem live in New York Internet link YouTube.com Retrieved 2016 https://www.youtube.com/watch?v=3wC-3-9h4M0
Gary Trust Ask Billboard: Max Martin Notches Another No. 1 Internet link Billboard.com 2014 http://www.billboard.com/articles/columns/chart-beat/6327746/ask-billboard-max-martin-notches-another-no-1
Frédéric Bimbot et al. Semiotic Structure Labeling of Music Pieces: Concepts, Methods and Annotation Conventions Conference article ISMIR 2012
Wikipedia List of Billboard Hot 100 number-one singles from 1958 to 1969 Internet link Wikipedia Retrieved 2016 https://en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number-one_singles_from_1958_to_1969#1960
Wikipedia List of Billboard Hot 100 number-one singles of the 1980s Internet link Wikipedia Retrieved 2016 https://en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number-one_singles_of_the_1980s#1985
Wikipedia List of Billboard Hot 100 number-one singles of the 2010s Internet link Wikipedia Retrieved 2016 https://en.wikipedia.org/wiki/List_of_Billboard_Hot_100_number-one_singles_of_the_2010s#10
Bobborst.com Number One Songs On Any Date: US, UK, and Australia Internet link Bobborst.com Retrieved 2016 http://www.bobborst.com/popculture/numberonesongs/
Joan Serrà et al. Measuring the evolution of contemporary western popular music Report Scientific Reports July 2012
 
PART 4
Author(s) Title Ref. type Editor Date Link / page(s)
Eduardo Perez-Gonzales, Joshua D. Reiss Automatic equalization of multi-channel audio using cross-adaptive methods Conference article AES 127th Convention, New-York, USA 2009
Stuart Mandbridge et. Al. Implementation and Evaluation of Autonomous Multi-Track Fader Control Conference article AES 132nd Convention, Budapest, Hungary 2012
Roger B. Dannenberg An Intelligent Multi Track Audio Editor Conference article ICMC 2007, San Francisco CA. 2007
Enrique Perez Gonzalez, Joshua D. Reiss Automatic mixing tools for audio and music production Internet link Queen Mary University of London Retrieved 2016 http://c4dm.eecs.qmul.ac.uk/automaticmixing/
Landr.com About Landr.com Internet link Landr Retrieved 2016 https://www.landr.com/fr/about
Joshua D. Reiss Intelligent Music Production: Challenges, Frontiers and Implications Internet link AES-Midlands workshop on Intelligent Music Production 2015 https://www.youtube.com/watch?v=hED9wfRByw4
Emmanuel Deruty, François Pachet, Pierre Roy Human-Made Rock Mixes Feature Tight Relations Between Spectrum and Loudness Journal Article Journal of the Audio Engineering Society October 2014 Volume 62, Issue 10
 
FURTHER READINGS
Author(s) Title Ref. type Editor Date Link / page(s)
William Moylan Understanding and Crafting the Mix, the Art of Recording Book Focal Press 2007
Mike Senior Mixing Secrets for the small studio Book Focal Press 2011-2013
Greg Milner Perfecting Sound Forever, an Aural History of Recorded Music Book Faber & Faber 2010
Brian Eno A year with swollen appendices Book Faber&Faber 2006
Serge Lacasse Listen to my voice PhD Thesis University of Liverpool 2000
Virgil Moorefield The Producer as Composer Book MIT Press 2005
Semantic Audio Events Internet link Semantic Audio Retrieved 2016 http://www.semanticaudio.co.uk/events/
University of Berkeley MIR Resources: automatic mixing Internet link University of Berkeley Retrieved 2016 https://github.com/mirberkeley/MIR-Resources/wiki#automatic-mixing
Enrique Perez Gonzalez, Joshua D. Reiss Automatic mixing tools for audio and music production Internet link Queen Mary University of London Retrieved 2016 http://c4dm.eecs.qmul.ac.uk/automaticmixing/